by Brian Foster | Nov 29, 2015
[column-third-1][/column-third-1] [column-third-2][/column-third-2] [column-third-3][/column-third-3] This vase has six subtle panels, terminating at the 3 1/4 inch base in even more subtle scallops. Heights are in the 11 to 12 inch range. The mid-size has nine panels...
by Brian Foster | Nov 29, 2015
[column-half-1][/column-half-1][column-half-2][/column-half-2] This is one of the most frequently seen advertising pieces. As with most others, it’s 6 inches across. The lettering reads “Fern Brand Chocolates” and there is a fern frond substituted...
by Brian Foster | Nov 29, 2015
Among the mysteries of Carnival Glass is why so few pieces of this pattern have ever been found. It’s a blue low bowl with the edges turned up and resting on three feet. It was once in the Don Moore collection and at one time on display in the Fenton museum....
by Brian Foster | Nov 29, 2015
[column-half-1][/column-half-1][column-half-2][/column-half-2] This compote is seen so seldom that it often gets lost in the shuffle. The pattern is used on the interior of Northwood’s stemmed compotes with Daisy and Plume on the exterior. Those are sometimes...
by Brian Foster | Nov 29, 2015
Easily mistaken for a Boggy Bayou at first glance, this vase was created from the same mould used for the bowl that was named Cut Arcs by Hartung and Reverse Drapery by Heacock. There are opalescent, non-iridized examples of this vase, but only a very few known...
